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Logo created by Kirstin Mohammed |
By Emily
Racanelli
Tigress Records: Redefining Business
Mayday Parade, Luke Bryan, and
Ariana Grande. What do these artists all have in common? It’s definitely not
talent levels or genres! Rather, they are all supported by a record label. (Not
the same one, of course). Even the casual music fan is familiar with a label,
whose job is to provide funding for artists to record new music, book tours for
them, and promote albums to the general public. What the casual fan doesn’t
know is some of the conflict that goes on behind those studio doors. While most
labels, such as Fearless and Rise Records, are godsends to musicians, helping
them catapult their careers, others are restricting creativity and tossing
aside lyrics that could inspire a whole new generation. That raises the
question: what if there was a brand new label looking to revolutionize the music industry?
Alas! Say hello to alternative
music’s new underdog: Tigress Records. Formed in affiliation with Hit Records
Worldwide, the label is centered on creating a family environment and
establishing personal relationships with the artists signed to it. Based out of
NY, it is founded by 19-year-old business tycoon and Villanova University
sophomore Kirstin Mohammed (known to her musicians as “Kam”), who has been
working relentlessly to build a diverse and talented team.
Tigress currently has four acts: two
solo artists and two bands. The former is up and coming pop star Jayse Vegas
and acoustic performer Blue House. The latter is Brooklyn Blues, an Ozone Park
quartet with a self-proclaimed indescribable sound and all-female acoustic
screamo trio Heartless Bones. Even though the musical styles may span several
genres, Mohammed does not stop there with the creativity.
Alongside her mentor and Hit Records
CEO Dr. Rob Roe, Mohammed runs the Cinderella Slipper Project. It takes in
at-risk youth and shows them how to use music as an outlet instead of becoming
devoured in their negative situations. More importantly, the program focuses on
helping the kids graduate high school and pursue a college education.
As is evident, Tigress is a far cry
from the average label that checks in with bi-weekly conference calls. Mohammed
has made it her mission to be on standby for her artists 24/7, whether they
want to talk about music or any other issue weighing on their shoulders.
Her determination and work ethic are
almost enough to get Tigress off the ground floor and into the competitive
world of music business. The only obstacle standing in the way is the financial
burden. Mohammed is currently looking to purchase an office space in Brooklyn,
NY to build two recording studios to be used not only by artists signed to
Tigress, but by any local musicians. The fees for studio time will be much
lower in comparison to others, in an effort to maintain the Tigress spirit that
everybody deserves a chance to pursue their dreams.
Hopefully this sets the precedent
for fellow record labels to do the same. People become so preoccupied with
deadlines and profits that they miss the entire goal: produce songs that the
artist is proud of and the fans will have on repeat for days. When it comes
down to it, music--and the alternative genre in particular--is about community:
put a little love into it, and you’ll get so much more in return.
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